Awards Summary:
- 17 Emmys
- 35 MPSE Golden Reels
- 97 Emmy Nominations
- 78 Golden Reel Nominations
- 10 Various Other Awards
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Smart Post Sound has earned 17 Primetime Emmys
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| 2018 | Genius: Picasso - Primetime EMMY Award for Outstanding Sound Mixing for Series or Movie |
| 2014 | COSMOS - Primetime EMMY Award for Best Sound Editing & Foley |
| 2014 | SONS OF ANARCHY - Golden Reel Award for Best Sound Editing & Foley - Long Form Television |
| 2014 | MODERN FAMILY - Cinema Audio Society Award for Best Sound Mixing |
| 2012 | MODERN FAMILY - Primetime EMMY Award for Outstanding Sound Mixing |
| 2012 | TORNADO ALLEY - Golden Reel Nomination for Best Sound Editing in Special Venue Film |
| 2011 | TORNADO ALLEY - G.S.C.A Award for Outstanding Sound Design |
| 2011 | TERRA NOVA - Golden Reel Nomination for Best Sound Editing in Television |
| 2011 | MODERN FAMILY - C.A.S. Nomination for Outstanding Achievement in Sound Mixing for a Television Series |
| 2010 | MODERN FAMILY - Primetime EMMY Award for Outstanding Sound Mixing |
| 2009 | THE ANDROMEDA STRAIN - Golden Reel Nomination for Best Sound Editing - Long Form Dialogue and ADR in Television |
| 2008 | THE ANDROMEDA STRAIN - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2008 | COMANCHE MOON - EMMY Nominations for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2007 | HEROES - Golden Reel Nomination for Best Sound Editing in Television: Short Form - Dialogue and ADR |
| 2007 | NIGHTMARES & DREAMSCAPES: FROM THE STORIES OF STEPHEN KING - Golden Reel Award for Best Sound Editing |
| 2007 | PATH TO 9/11 - Golden Reel Award Best Sound Editing in Sound Effects and Foley for Television - Long Form |
| 2007 | PATH TO 9/11 - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2006 | INTO THE WEST - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2006 | INTO THE WEST - Golden Reel Award Best Sound Editing in Television Long Form - Dialogue and ADR |
| 2006 | CATEGORY 7: THE END OF THE WORLD - Golden Reel Nomination Best Sound Editing in Television Long Form - Sound Effects & Foley |
| 2006 | CATEGORY 7: THE END OF THE WORLD - Golden Reel Nomination Best Sound Editing in Television Long Form - Dialogue and ADR |
| 2006 | CATEGORY 7: THE END OF THE WORLD - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2005 | 3:THE DALE EARNHARDT STORY - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2005 | SPARTACUS - Golden Reel Nomination Best Sound Editing in Television Long Form - Dialogue and ADR |
| 2005 | SPARTACUS - Golden Reel Nomination Best Sound Editing in Television Long Form - Sound Effects & Foley |
| 2004 | SPARTACUS - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2004 | SAVING JESSICA LYNCH - Golden Reel Nomination Best Sound Editing in Television Long Form - Dialogue and ADR |
| 2004 | SAVING JESSICA LYNCH - Golden Reel Nomination Best Sound Editing in Television Long Form - Sound Effects & Foley |
| 2003 | MONTE WALSH - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2003 | THE JUNCTION BOYS - Golden Reel Nomination Best Sound Editing in Television Long Form - Dialogue and ADR |
| 2002 | THE KILLING YARD - Golden Reel Nomination Best Sound Editing in Television - Effects & Foley, Long Form |
| 2002 | THE LOST BATTALION - Golden Reel Award Best Sound Editing in Television Long Form - Dialogue and ADR |
| 2002 | THE LOST BATTALION -EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2002 | ATTILA - Golden Reel Nomination Best Sound Editing in Television - Dialogue & ADR, Long Form |
| 2002 | ATTILA - Golden Reel Nomination Best Sound Editing in Television - Effects & Foley, Long Form |
| 2002 | UPRISING - Golden Reel Award Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2002 | UPRISING - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 2001 | DRAGON PLANET - Golden Reel Nomination Best Sound Editing - Special Venue |
| 2002 | OPERATION SANDMAN - Golden Reel Nomination Best Sound Editing - Television Movies and Specials - Effects & Foley |
| 2001 | FOR ALL TIME - Golden Reel Nomination Best Sound Editing - Television Movies and Specials - Effects & Foley |
| 2001 | SALLY HEMMINGS- Golden Reel Nomination Best Sound Editing - Television Mini-Series - Effects & Foley |
| 2001 | IN THE BEGINNING- Golden Reel Nomination Best Sound Editing - Television Mini-Series - Effects & Foley |
| 2000 | ATOMIC TRAIN - Golden Reel Award Best Sound Editing - Television Mini-Series - Dialogue & ADR |
| 2000 | SHAKE, RATTLE AND ROLL: AN AMERICAN LOVE STORY - Golden Reel Nomination Best Sound Editing - Television Mini-Series - Dialogue & ADR |
| 2000 | THE HUNLEY - Golden Reel Nomination Best Sound Editing - Television Movies and Specials - Effects & Foley |
| 2000 | THE HUNLEY - C.A.S AWARD Outstanding Achievement in Sound Mixing for a Television Movie, Mini-Series or Special |
| 2000 | THE HUNLEY - EMMY Award |
| 2000 | PURGATORY - Golden Reel Nomination Best Sound Editing - Television Movies and Specials - Effects & Foley, Dialogue & ADR |
| 2000 | TOM CLANCY'S "NET FORCE"- Golden Reel Nomination Best Sound Editing - Television Mini-Series - Effects & Foley, Dialogue & ADR |
| 1999 | TOM CLANCY'S "NET FORCE"- EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 1999 | THE TEMPTATIONS - Golden Reel Award |
| 1999 | PURGATORY- EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 1998 | ROUGH RIDERS - EMMY Award |
| 1999 | ROUGH RIDERS - Golden Reel Award Best Sound Editing - Television Mini-Series - Effects & Foley |
| 1998 | THE DAY LINCOLN WAS SHOT - EMMY Nomination for Outstanding Sound Editing for a Mini-Series, Movie or a Special |
| 1998 | INTENSITY - Golden Reel Nomination |
| 1998 | MOSES - Golden Reel Nomination |
| 1997 | RUBY RIDGE - Golden Reel Award |
| 1997 | HIGH INCIDENT - Golden Reel Nomination |
| 1997 | DAVID - EMMY Nomination |
| 1997 | IN COLD BLOOD - Golden Reel Nomination |
| 1997 | DEAD MAN'S WALK - Golden Reel Nomination |
| 1997 | THE RING - Golden Reel Nomination |
| 1996 | JOHN JAKES: HEAVEN & HELL - Golden Reel Award |
| 1996 | TUSKEGEE AIRMEN - EMMY Award |
| 1996 | STREETS OF LAREDO- EMMY Nomination for Outstanding Individual Achievement in Sound Editing for a Mini-Series or a Special |
| 1995 | TOM CLANCY'S OP CENTER - EMMY Award |
| 1995 | TOM CLANCY'S OP CENTER - Golden Reel Award |
| 1995 | HEAVEN AND HELL- EMMY Nomination |
| 1995 | ZOYA - Golden Reel Nomination |
| 1995 | BUFFALO GIRLS- EMMY Nomination for Outstanding Individual Achievement in Sound Editing for a Mini-Series or a Special |
| 1995 | JOSEPH - EMMY Nomination for Outstanding Individual Achievement in Sound Editing for a Mini-Series or a Special |
| 1994 | THE HEART OF DARKNESS - EMMY Award |
| 1994 | RETURN TO LONESOME DOVE - Golden Reel Nomination |
| 1994 | ALEX HAILEY'S QUEEN - Golden Reel Nomination |
| 1994 | ALEX HAILEY'S QUEEN- EMMY Nomination for Outstanding Individual Achievement in Sound Editing for a Mini-Series or a Special |
| 1993 | THE POSITIVELY TRUE ADVENTURES OF THE ALLEGED TEXAS CHEERLEADER-MURDERING MOM- EMMY Nomination for Outstanding Individual Achievement in Sound Editing for a Mini-Series or a Special |
| 1993 | THE FIRE NEXT TIME - EMMY Award |
| 1993 | JEWEL - Golden Reel Award |
| 1993 | STALIN- EMMY Nomination forOutstanding Individual Achievement in Sound Editing for a Mini-Series or a Special |
| 1993 | MISS ROSE WHITE - Golden Reel Nomination |
| 1992 | CONAGHER- EMMY Nomination for Outstanding Individual Achievement in Sound Editing for a Mini-Series or a Special |
| 1992 | PARKER LEWIS CAN'T LOSE- EMMY Nomination |
| 1992 | CRASH OF FLIGHT 7 - Golden Reel Nomination |
| 1991 | SON OF THE MORNING STAR - Golden Reel Award |
| 1991 | SON OF THE MORNING STAR - EMMY Award |
| 1989 | LONESOME DOVE - Golden Reel Award |
| 1989 | LONESOME DOVE - EMMY Award |
| 1989 | STEAL THE SKY- EMMY Nomination for Outstanding Sound Editing for a Mini-Series or a Special |
| 1988 | EARTH STAR VOYAGER- EMMY Nomination for Outstanding Sound Editing for a Mini-Series or a Special |
| 1988 | THE GREAT ESCAPE, PART 2 - Golden Reel Award |
| 1987 | OUT ON A LIMB- EMMY Nomination for Outstanding Sound Editing for a Mini-Series or a Special |
| 1987 | HOUSTON NIGHTS - Golden Reel Nomination |
| 1986 | ALICE IN WONDERLAND- EMMY Nomination for Outstanding Sound Editing for a Mini-Series or a Special |
| 1986 | UNDER SIEGE - EMMY Award |
| 1984 | THE DAY AFTER - EMMY Award |
| 1983 | THE BLUE AND THE GRAY- EMMY Nomination for Outstanding Film Sound Editing for a Limited Series or Special |
| 1982 | MARIAN ROSE WHITE- EMMY Nomination for Outstanding Achievement in Film Sound Editing |
| 1982 | THE CAPTURE OF GRIZZLY ADAMS- EMMY Nomination for Outstanding Achievement in Film Sound Editing |
| 1982 | INSIDE THE THIRD REICH - EMMY Award |
| 1977 | RAID ON ENTEBBE - EMMY Award |
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Contact Info
Main Offices & Stages 1, 2, 6, 7, 8
405 W Riverside Dr
Burbank, California 91506
Stages 3, 4, 5, ADR & Foley
919 N Hollywood Way
Burbank, California 91505
Stages 9 & 10 (Across from Main Offices)
1907 W Riverside Dr
Glendale, California 91201
Email: info@smartpostsound.com
Main: +1 (818) 845-8050
405 W Riverside Dr
Burbank, California 91506
Stages 3, 4, 5, ADR & Foley
919 N Hollywood Way
Burbank, California 91505
Stages 9 & 10 (Across from Main Offices)
1907 W Riverside Dr
Glendale, California 91201
Email: info@smartpostsound.com
Main: +1 (818) 845-8050
© Smart Post Sound, Inc. 2020 (All rights reserved)